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George Platt Lynes (April 15, 1907 – December 6, 1955) was an American fashion and commercial photographer.

Born in East Orange, New he spent his childhood in New Jersey but attended the Berkshire School in Massachusetts. He was sent to Paris in 1925 with the idea of better preparing him for college. His life was forever changed by the circle of friends that he would meet there. Gertrude Stein, Glenway Wescott, Monroe Wheeler and those that he met through them opened an entirely new world to the young artist. He returned to the United States with the idea of a literary career and he even opened a bookstore in Englewood, New Jersey in 1927. He first became interested in photography not with the idea of a career, but to take photographs of his friends and display them in his bookstore.

Returning to France the next year in the company of Wescott and Wheeler, he traveled around Europe for the next several years, always with his camera at hand. He developed close friendships within a larger circle of artists including Jean Cocteau and Julien Levy, the art dealer and critic.

While he continued to shoot fashion photographs, getting accounts with such major clients as Bergdorf Goodman and Saks Fifth Avenue during the 1930s and 1940s he was losing interest and had started a series of photographs which interpreted characters and stories from Greek mythology.

By 1946, he grew disillusioned with New York and left for Hollywood, where he became chief photographer for the Vogue studios. He photographed Katharine Hepburn, Rosalind Russell, Gloria Swanson and Orson Welles, from the film industry, as well as others in the arts among them Aldous Huxley, Igor Stravinsky, and Thomas Mann. While a success artistically, it was a financial failure.

During his lifetime, Lynes amassed a substantial body of work involving nude and homoerotic photography. In the 1930s, he began taking nudes of friends, performers and models, including a young Yul Brynner, although these remained private, unknown and unpublished for years. Over the following two decades, Lynes continued his work in this area passionately, albeit privately. “The depth and commitment he had in photographing the male nude, from the start of his career to the end, was astonishing. There was absolutely no commercial impulse involved — he couldn’t exhibit it, he couldn’t publish it.”

By May 1955, Lynes had been diagnosed terminally ill with lung cancer. He closed his studio and destroyed much of his print and negative archives, particularly his male nudes. However, it is now known that he had transferred many of these works to the Kinsey Institute.


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